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Ranking the Final Four by Who Received the Most Votes in Each Match-Up

Plus, the updated bracket for Round 5 of voting.

Thank you for participating in RapTV’s annual Rap Madness bracket❗️If you enjoy the below content, stay subscribed and join our Today In Rap newsletter community.

In other news today:

  • Vote for round 5 now

  • Ranking the Final Four by who received the highest votes

  • Did Kendrick offer J. Cole an olive branch at “The Pop Out”?

  • Metro Boomin’s “BBL Drizzy” starts a war on AI

Round 5 Begins

Only four artists are left in Rap Madness, and voting for Round 5 is now live. Click the button to vote for your favorites on our IG stories, and see the updated bracket below.

Based on the previous four rounds, we ranked the artists in the Final Four according to who won all their match-ups with the most votes.

Ranking the Final Four by Who Received the Most Votes in Each Round

  1. Kendrick Lamar won each of his match-ups by over 76%

  2. Travis Scott won each of his match-ups by over 72%

  3. Future won each of his match-ups by over 65%

  4. Ye won each of his match-ups by over 65%

Kendrick Lamar is the frontrunner based on voting and completed brackets.

Out of the Final Four, who is y'all's GOAT?

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Did K. Dot Call A Truce with J. Cole at “The Pop Out?” 

Long ago (just like Avatar), the Big Three lived in harmony. Then everything changed when Kendrick hopped on “Like That.” 

K. Dot rapping “mother**** the big three, n**** it's just big me” was the first shot fired, and J. Cole and Drizzy would have looked crazy not to respond. Drizzy had disastrous results in his battle against the rap giant.

However, Jermaine dropped out before things got crazy – and rap fans caught a move by Kendrick at “The Pop Out” that seems to think the duo has no beef. 

What did Kendrick do? 

K. Dot performed his song “Alright” during the Juneteenth celebration, with one subtle but major change. He performed J. Cole’s remix of the track, and one of Cole’s ad-libs can be heard at the beginning of the intro. 

Fans immediately got hopeful, with X user XKingxGrizzlyX7 in a June 26 post stating that “There's a layer there somewhere. Probably saying him and Cole are good, we alright. I'm reaching for the stars obviously lol.”

“Normally I would say so but with how meticulous Kendrick is there’s no way that was on accident, he was definitely trying to send that message out,” X user BeingParticle said in a June 26 post. 

It seems like everything between Kendrick and J. Cole is “Alright.” K. Dot loves a good subliminal message, and the choice of song and K. Dot not throwing additional shade at him means that in his eyes, the “Cole World” will remain unscathed. 

What were they even beefing about?

In response to “Like That,” J. Cole dropped the diss “7 Minute Drill,” a couple of weeks later on April 5, firing shots at K. Dot. 

Regardless of how hard he went on the song, he was apologetic at this year’s Dreamville Fest. During his set on April 7, he asked the crowd “... Dreamville, y’all love Kendrick Lamar, correct? As do I... That was the lamest, goofiest s**t. I say all that to say it made me feel like 10 years ago when I was moving incorrectly. And I pray that God will line me back up on my purpose and on my path."

People immediately began clowning J. Cole online for backing down on what he originally said, saying that “rap is dead” or that he was “scared.” After seeing how K. Dot dragged Champagne Papi by the geometric cornrows though, people are changing their tune. 

J. Cole and Kendrick go way back, with rumors of a collaboration album still swirling to this day. Hopefully, with Kendrick’s laser-sharp gaze set directly only on] Drake’s cosplay ranch, they both can show publicly that they will always have “family ties.”

Would y'all listen to a Kendrick & J. Cole project?

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Metro Boomin’s “BBL Drizzy” Starts a War on AI

Metro Boomin, in his song “BBL Drizzy,” did more than “shut up and make some drums.” He created a beat that took social media by storm with the ​​#bbldrizzybeatgiveaway, getting everyone behind the mic to diss Champagne Papi. 

Despite the song’s major success, organizations like the RIAA are not happy – and they are trying to take the AI companies behind the song down. 

Wait…The song used AI? 

 The RIAA, on behalf of the Warner Music Group, Universal Music Group, and Sony Music Entertainment, filed two copyright infringement lawsuits against the AI companies behind the song, Udio and Suno. 

They claim that the AI companies “wrongfully used the work of some of their artists to create copyrighted music without their permission,” according to a June 26 article from The Root. 

Udio is an AI music generator that was used to create the original “BBL Drizzy” song, which was then sampled by Metro to create the beat. Meanwhile, Suno teamed up with the software ChatGPT to create the catchy lyrics playing in the background. 

The War on AI 

In the Silicon Valley version of the rap civil war, the two AI companies aren’t going down without a fight. Speaking about the use of AI in music in a June 25 thread on X, Udio said that “... Producers have sampled AI-generated tracks to create hit songs, like ‘BBL Drizzy’, and everyday music-lovers have used the technology to express the gamut of human emotions from love to sorrow to joy.”

Suno’s CEO Mikey Shulman responded the same day to the lawsuit by breaking down the mission of the organization to help users create something completely new. 

“That is why we don’t allow user prompts that reference specific artists … We would have been happy to explain this to the corporate record labels that filed this lawsuit (and in fact, we tried to do so), but instead of entertaining a good faith discussion, they’ve reverted to their old lawyer-led playbook,” Shulman said in a statement obtained by Music Business Worldwide

RIAA is still maintaining its RBF regardless of what the AI companies have to say. Responding to Udio’s statement on June 26, they posted on X that “if there is any takeaway from Udio's meandering 'response,' it is that Udio is attempting to construct an alternate reality where being pro-artist means stealing artists' work for profit.”

So AI can’t be used in rap songs anymore?

Metro is not the first person in the rap game to come under fire for the use of AI. His opp Drake received a firestorm of hate for the use of an AI-Tupac voice in his Kendrick diss “Taylor Made Freestyle.” He eventually took it down online, but not before Tupac’s estate could vehemently address Drizzy as well. 

AI dupes like Travis Bott (the so-called twin of Travis Scott) have been attempting to make their way onto the rap scene and overshadow the real rappers they use for inspiration. They even made their way into the Drake and Kendrick beef, like the “1 Shot 1 Kill” Drake/J. Cole diss released in April. When people began to question if the track was legit, Sy the Rapper came out and revealed they made the song with AI.

What’s next for Metro?

Despite all the chaos, Metro has been stepping out and reveling new endeavors. He was spotted at the June 26 Balenciaga fashion show during Paris Fashion Week. He released the first issue of his Metroverse comic book series this month. He even offered his two cents about streaming services. 

He shared a post on the Gram that said “A fan needs to stream an artist’s music 20 times a day for a whole year for that artist to make $25 from a fan.”  He said because of this, his next album might be the last one available to stream. It looks like he is going to make moves even bigger than "BBL Drizzy" real soon. 

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